Ceramics - Art and Perception: Exploring Its Impact and Ranking
Ceramics - Art and Perception is a research journal dedicated to publishing research related to Arts and Humanities. This journal is published by Mansfield Ceramics and holds the ISSN 1035-1841.
Understanding a journal's impact and ranking is crucial for researchers and artists alike. This article delves into the key metrics and details of Ceramics - Art and Perception, providing a comprehensive overview of its standing in the academic and artistic community.
Key Metrics and Details
Here are some important metrics for Ceramics - Art and Perception:
- Journal Title: Ceramics - Art and Perception
- Publisher: Mansfield Ceramics
- ISSN: 10351841
- Journal Scope: Arts and Humanities
- Country of Publisher: United States
- Scopus Coverage: 2002-2024
- H-Index: 2
- SJR: 0.101
- Quartile: Visual Arts and Performing Arts (Q4)
- Open Access: No
Ranking and SCImago Journal Rank (SJR)
The SCImago Journal Rank (SJR) of Ceramics - Art and Perception is 0.101, based on Scopus data. The journal's rank is 29931.
The SJR measures citations weighted by prestige. It is useful for comparing journals within the same field and forms the basis of the subject category ranking. A journal's SJR indicator is a numeric value representing the average number of weighted citations received during a selected year per document published in that journal during the previous three years, as indexed by Scopus. Higher SJR indicator values indicate greater journal prestige.
SJR is developed by the Scimago Lab, originated from a research group at the University of Granada.
Quartile Ranking
Ceramics - Art and Perception holds a Quartile of Q4 in the category of Visual Arts and Performing Arts.
Each subject category of journals is divided into four quartiles: Q1, Q2, Q3, Q4. Q1 is occupied by the top 25% of journals in the list; Q2 is occupied by journals in the 25 to 50% group; Q3 is occupied by journals in the 50 to 75% group, and Q4 is occupied by journals in the 75 to 100% group. Q1 journals are cited more often and by more prestigious journals than those in the other quartiles.
Indexing
Ceramics - Art and Perception is indexed in:
- UGC CARE
- Scopus
An indexed journal means that the journal has gone through and passed a review process of certain requirements done by a journal indexer.
Impact Factor
Impact Factor is provided to journals indexed in the Web of Science. It is used to measure the importance or rank of a journal by calculating the times its articles are cited.
Note: Every year, The Clarivate releases the Journal Citation Report (JCR). The JCR provides information about academic journals including impact factor.
The Web of Science Core Collection includes the Science Citation Index Expanded (SCIE), Social Sciences Citation Index (SSCI), Arts & Humanities Citation Index (AHCI), and Emerging Sources Citation Index (ESCI).
CiteScore and SNIP
CiteScore of an academic journal is a measure reflecting the yearly average number of citations to recent articles published in that journal. This journal evaluation metric was launched in December 2016 by Elsevier as an alternative to the generally used JCR impact factors (calculated by Clarivate). CiteScore is based on the citations recorded in the Scopus database rather than in JCR, and those citations are collected for articles published in the preceding four years instead of two or five.
Source Normalized Impact per Paper (SNIP) is calculated annually from Scopus data. It is a sophisticated metric that intrinsically accounts for field-specific differences in citation practices.
Journal Publication Time
The publication time may vary depending on factors such as the complexity of the research and the current workload of the editorial team. Journals typically request reviewers to submit their reviews within 3-4 weeks.
Aim and Scope
The Ceramics-art And Perception is a research journal that publishes research in the field of Art. The ISSN of this journal is 1035-1841.
Also, please check the following important details about ceramics-art and perception: Publisher, ISSN, Ranking, Indexing, Impact Factor (if applicable), Publication fee (APC), Review Time, and Acceptance Rate.
In This Issue
Examples of articles published in this journal:
Mexico Out of the Labyrinth
Out of the Labyrinth is the title of an exhibition of contemporary Mexican studio ceramics I guest curated at the Northern Clay Center in Minneapolis, September 25 - November 9, 2015. The title comes from a statement made by Nobel Prize winning author Octavio Paz in his famous book of essays, published in 1950, where he described Mexico as ‘a labyrinth of solitude’. Whether or not this is still accurate, or ever was, the exhibition revealed that it was certainly not true of the nine featured artists: Gerardo Azcúnaga, Gloria Carrasco, IsadoraCuéllar, Javier del Cueto, Gustavo Pérez, Maribel Portela, Eduardo Sarabia, Paloma Torres, and XaweryWolski. Their work, for all its ties to Mexico, its history and its culture, is cosmopolitan rather than provincial in spirit, and is not at all…12 min
Koren Christofides: A Medieval Modern Bestiary
Turning to ceramics in 2007 at Atelier Buffile in Aix-en-Provence, France, where she was encouraged by proprietors Vincent and Monique Buffile, Koren Christofides’ approach to clay sculpture is bound to her background as an art historian, painter, curator and printmaker. Each experience has left its mark on her art, seen in depth in her second solo show at Gallery IMA in Seattle, Washington (USA). As an art historian married to another art historian, Constantine Christofides, the artist spent twelve years living in France, including a stint as artist-in-residence at the Institute for American Universities in Aix. Her current work combines exaggerated mask faces with spontaneous-looking hand-building that recalls Abstract Expressionist pioneer ceramist James Leedy more than his erstwhile colleague Peter Voulkos. Viola Frey (assemblage, bricolage) also comes to mind, but…5 min
KuwataTakuro, I’m Home, Tea Bowl at Kosaku Kanechika Gallery, Tokyo
Kuwata Takuro’s whirlwind career seemed amply reflected in this exhibition, which occupied not just Kosaku Kanechika’s gallery but a supplementary space on the same floor of the Terrada Art Complex, a warehouse building in Tokyo’s Shinagawa ward. Kuwata (b. 1981) has had solo shows in Tokyo, New York, London and Brussels in the last three years, and his work is on the art fair circuit as well (Frieze Sculpture, 2017). Over that time he has been focusing on tea bowls, and this recent exhibition continued that. However it included a smattering of non-bowls. One, for example, was a blue and yellow obelisk nearly two meters tall. His approach to these closed forms, however, is much the same as his treatment of tea bowls.